Testing the Waters

Got your back.

Testing the waters of this lovely Lakes Shawl, by Nadia Crétin-Léchenne.

The pattern itself is easy to follow, and you definitely don't need to bring the pattern around with you for the bulk of this, which is great if you like to take your knitting out with you! The central lace pattern is incredibly easy to remember, as is the textured body. I really only needed to consult the pattern again after I had finished all the increases.

Double the triangle, double the warmth

Now, because I can't seem to knit any pattern straight up - my mods:

1. My gauge was waaaaaayy off, so I made it larger by continuing to increase with the central square and ended up with 9 repeats of the outer lace border instead of 7 repeats. My finished shawl ended up around an inch larger than the pattern dimensions.
2. For any decreases that had to do with stitch adjustment (as opposed to lace pattern), I did them before the yo in the previous row, so as to keep the integrity of that lace pattern all around as best as I could. I know it's just one little yarn over hole per corner, but it bothers me!

Quartered

Next time I do a square shawl, I'd probably want it to be even larger, to be honest. The Lakes Shawl is a great size for scarf usage, but I like a bit more security when having a shawl wrapped around my shoulders, and the Lakes wingspan is just a bit short.

fwip

1/Edition

Haul of business cards

This year was the first edition of 1/Edition (see what I did there? eh?) at the Metro Convention Center, and, having to do with prints and books as it does, and prints and books being the stuff of my dreams, I had to go take a look. There were a ton of artists, collectives, galleries, bookstores, and more, and it was very exciting to see what everyone was doing!

I ended up getting a couple of - I want to say artist books, but would these be considered "books by authors" or "artist books"? I'm going to go with artist books.

Mini haul of books - there were so many more I wanted to bring home!

There were a bunch more books - part of the first run of a reprint of the Moomin novels, for example, except I really don't need to start reading Moomin from the first print - that I wanted to bring home with me, but I held back because of reasons stated before to do with my bookshelf & my growing collection of books.

Animals with Sharpies by Michael Dumontier and Neil Farber is incredibly engaging, in a tongue-in-cheek way that acknowledges some of the different characteristics of the animals portrayed in the book through the messages they are made to write down. Some of the animals are almost, if not, unrecognizable, which adds another layer of complexity to the images: it becomes a matching game and a test of your knowledge of the animal realm. Admittedly, my own knowledge is rather pitiful, and so some of the animals that are shown in smaller parts remain unknown to me, but the messages remain, baffling the viewer (or at least myself, because I am unaware of the speaker/writer and its relation to what is written) while at the same time providing a window to accessing the contents of the book regardless of the reader's depth of understanding of the animal kingdom. Go get yourself a copy. Immediately.

One Sky Star World Team Alliance by Stefan Marx, on the other hand, consists entirely of illustrations of airplanes that the artist either has been on or saw throughout his travels, or so the person at the Dashwood Books booth told me. The illustrations charmed my socks off, and started my string of purchases at the convention; some of the planes are portrayed in full, some are cut off, while some still feature in a 2-page spread, and that is part of what makes them so lovely: it's not just a collection of illustrations of planes, so much as a collection of the memories and places in the form of planes, the portrayal of which differs depending on the artist at the time.

There was one more book I wanted to purchase very much, although I couldn't justify it to myself then since it's a commercially produced book that I should in theory be able to purchase at a much later date: The Little Mermaid, by Hans Christian Anderson & Yayoi Kusama. I had seen parts of it on Brain Pickings and desperately wanted to read it in full through, say, my local library, but as expected, we don't own a copy. Nor am I saying we should carry it necessarily, considering the sort of book this is and the size of its readership and us being a public library. This retelling of the Little Mermaid takes you to another world with its illustrations, and it's going to be something for me to save up for. I'm going to make room for it on my shelf!

Type Books - because I didn't get The Little Mermaid

And then there were these adorable pins at the Type Books booth (along with the Little Mermaid), so because I didn't get The Little Mermaid, I got myself these two instead. There were a bunch of different designs - one for Magritte and a Bowie one, among others - but these two broke out of that conventional yellow smiley face shape and stole my heart. Dali's going to a friend, and the ice cream (I've been told it looks like poop though) stays with me.

So much for my 1/Edition haul! I completely forgot about Canzine in my excitement for 1/Edition, unfortunately, but I'm hoping I'll be able to make it to the Book Arts Fair at OCAD on December 10! There's also the Antiquarian Book Fair happening at the AGO this weekend (Nov 4 - 6) apparently, so I might drop by there as well to take a look. There are so many book and print events happening about town these days!

October Reading

In which I rant vociferously about the first book on the list.

1. The Borgias and Their Enemies: 1431-1519 by Christopher Hibbert
• I've said a little spiel about this back in September, but I'm sure I'll repeat some complaints here. All quotes are taken from this book.
• On the topic of Jofrè's consummation of his marriage (or lack thereof) with Sancia
• An excerpt from Burchard, quoted from Hibbert: "the groom embraced his bride without shame" (p.59-60), and then later on in the book
• "His immaturity may well explain why... Jofrè had still not consummated his marriage" (p.95), according to the accounts of one Venetian diarist, Marin Sanudo
• Unless the consummation of marriage in the second quotation actually refers to bearing children rather than the act of sex itself, which Burchard details as having been witnessed by the legate & the King (i.e. Alfonso II), I'm a little confused as to why the two sources are saying different things - rather, I'm not confused that different sources have different information so much as why Hibbert has chosen to quote from both of them without making a note of the contradiction (if I am interpreting both of these passages correctly).
• "Cesare was also angered by the favouritism being shown to his brother, but he was careful not to show his furious jealousy" (p.98)
• On what grounds does Hibbert know about Cesare's "furious jealousy" if he was so careful not to show it? Did he actually mean to say, "assuming Cesare's guilt in the murder of Juan Borgia despite that there were multiple suspects and it was never proven in any case, we can then infer that Cesare must have been furiously jealous - this obviously being the motive for the aforementioned crime - of the Pope's love for Juan"? Sounds a bit like circular reasoning, but who am I to say?
• "She was, however, like almost everyone else, wary of her brother and his sadistic streak" (p.93), although Hibbert cites no proof of her wariness, either in her behaviour or in direct quotation, so it's hard to see how we know about this.
• Also, if Vasari is your best source concerning the topic of Pinturicchio (p.84-85), I am inclined to believe that the passage should also come with a warning about the unreliability of Vasari as a source, which is not to say I'm discounting Vasari completely so much as saying it would be great if reference to him came with a disclaimer. See Vasari on the topic of the Mona Lisa and her wonderfully rendered eyebrows.
• THERE WAS SO MUCH MORE TO BE SAID ABOUT CESARE AFTER THE DEATH OF THE POPE. Hibbert made the choice to focus on Lucrezia after the election of Giuliano della Rovere as Pope Julius II, glossing over pretty much everything Cesare tried to do to secure power again by checking in with him from Lucrezia's POV, that is, "Then, on April 22, 1507... one of Cesare's squires, who had travelled from Navarre [told] Lucrezia that her brother was dead, killed in battle, as Cesare had always suspected he would be, some six weeks earlier, fighting for the king of Navarre" (p.291)
• I understand that this is not a book about Cesare, and that due to the slim nature of the book, there was a lot of information that didn't quite make the cut. That being said, nothing was said at all about Cesare actually going to Navarre: how did he arrive there from being imprisoned in Chinchilla? What about his attempts at escape?
• Also, on another subject, what of Cesare's strictness with his own troops, e.g. when attempting to take Faenza, resting at the nearby town, banning theft from the citizens on pain of death? I can't much remember where else I was thinking while reading that quite a bit of information didn't make it into this book, and that it's pretty much all the ones that would have made Cesare seem less of a monster.
• Let's end this on a positive note though: I learned a bit more about Lucrezia. I have to approach whatever I have read about her with a touch of skepticism and suspicion of bias on the part of Hibbert, but I would say I did learn a little more about Lucrezia.
• Sorry, I lied; I'm ending this on a criticism after all: even just for writing a paper for an undergraduate class on Cesare Borgia I felt inclined to at least read up on all the books & electronic resources I could get my hands on about Cesare in particular, in addition to searching up and bringing home with me materials on Lucrezia, even though time prevented me from cracking into Lucrezia. All this to say: wouldn't it be best to do as complete a research as can be done into all personages involved in the Borgia family relevant to discussion if you're going to write a book generally on the Borgias? (I would even say to do further research on "their enemies" to see if all the facts match up, as well as to offer insights as to possible interpretations of actions the Borgias took or may have taken, and (political or personal) motives for both sides for doing what they did.)
2. The Little Girl Who Was Too Fond of Matches by Gaétan Soucy
• I was pretty confused for a bit after reading this, although not nearly as much as with The Epiplectic Bicycle. Soucy turns the traditional fairytale archetype on its head: the prince charming arrives, sure, but on a black steed that brings with it the noise of destruction, not to mention losing to the antagonist, being powerless to save the damsel. I'm sure there's a bunch here to write about on the themes of religion, fairytales and myths, with a particular focus on Soucy's use of language and how the reader should interpret all the events written by this "secretarious", as it is all through her eyes.
3. On Paper: The Everything of Its Two-Thousand-Year History by Nicholas A. Basbanes
• Pretty comprehensive, but doesn't cover much how to actually make paper, since that's not really the topic of this book. To be honest, because I read this as an e-book & over the course of many days, in between doing other things, I'm sure a lot of this just wasn't retained at all, so I can't be a good judge of this book. It served its purpose well, and I'm pretty sure I learned a lot from it, but I can't think of anything in particular to say about it.
4. High Rise (2015)
• I feel as though the message was supposed to be about class divide and the absurdity of it all, but I can't help but simply wonder: what did I just watch? Perhaps I'm missing a lot of references (e.g. the Margaret Thatcher statement at the end about capitalism, which I suppose was supposed to sum up the entire movie in the sense that power - money - was held in the hands of the architect & higher floor residents, and how the mess of this movie came out of that, except is there more to it than that?), but I was so very confused and lost throughout most of it. I mean, a couple of times I thought there might be a slightly more coherent plot coming up, e.g. when Laing told Toby something like, "when I was your age, I was always covered in something. Mud, jam, failure. My father would never associate with anything dirty" or something along those lines, and I thought, oh here we go, it's going somewhere! Except it totally wasn't! Or if it was, it was a bit too obscure for me to realize it.
5. KL: A History of the Nazi Concentration Camps by Nikolaus Wachsmann
• This was an incredibly comprehensive and detailed history of concentration camps, starting from pre-war following post-war decisions regarding the camp property and grounds. Well-written and easy to follow, although there's a lot to keep in mind at once because of the vast reach of the KL, in addition to which although there were a number of familiar names (from If This is a Woman), I still had a bit of trouble keeping up with all the names of SS officials and officers, not to mention specific prisoners. In comparison to If This is a Woman though, it was more well organized, and felt less like it was jumping all over the place, with fewer one-off prisoner mentions (or at least with the impression that there were fewer of them).
6. Bad Singer: The Surprising Science of Tone Deafness and How We Hear Music by Tim Falconer
• Not quite as in-depth as I had expected for the parts to do with the actual science of tone deafness, although I suppose the importance of timber was a bit surprising. Not in the "I never even considered it" sort of way so much as having an actual term to whenever I think about the colour of a song, or the taste of it, the round quality of a song or a note that's almost like a bubble at its peak - neither sagging nor about to pop, but holding robustly - and other sorts of similar descriptions.
7. The Setting Sun by Osamu Dazai
• To be honest, I'm not quite sure how to feel about this. The letter from Naoji to Kazuko, at the end, was I think the heart of the entire novel. I enjoyed it, but if I had to say, No Longer Human is for myself more relatable, and by far more tragic. Naoji's  attitude regarding oweing people debts and letting people pay for you, however, I can relate to more than I would like to; there's something to oweing debt in any degree to anyone for any amount of time that strikes me as unpalatable (though not entirely unavoidable at all times, or for the sake of convenience), and that rigidity, not limited solely to the subject of monetary debt, appears to me what drove Naoji to suicide, in large part. Oddly this standard does not apply to my treating others or having others in debt to me, and although I doubt (or at least I truly hope) I don't hold it over anyone's head that they owe me money or some favour, I wonder if there's something in it?
8. Snark: It's Mean, It's Personal, and It's Ruining Our Conversation by David Denby
• It makes me wonder whether any - all? - of my biting humour might be called snark. I would like to object in part to Denby's statement about everyone's involvement in celebrity culture though: I'm pretty sure I live under a celebrity-cultural rock. That being said, perhaps I'm more embroiled than I'd like to think and am simply in denial.
• The shallowness of this slim volume is a touch disappointing, as I was hoping for more history and etymology, more in-depth discussion and analysis, something much more engaged and personal, than was presented. Of course, the slimness of the book should have signaled as much, but I had high hopes, expecting something like, perhaps, Snobbery (Epstein). As it is, Snark only scrapes the surface and leaves the reader hanging, dissatisfied. I suppose if I were so inclined, at this point I should make a further inquiry myself into the subject, but when the title is so snappy and promises so much, it's a bit hard to lift myself from my disappointment in search of more on snark.

Working on:

1. The Rebel by Albert Camus
2. Resistance, Rebellion, and Death: Essays by Albert Camus
3. How to Live: A Life of Montaigne in One Question and Twenty Attempts at an Answer by Sarah Bakewell
4. Stiff: The Curious Life of Human Cadavers by Mary Roach

Try to Remember

The kind of September... Where I finally start on the weaving project I was supposed to be working on all throughout the summer as well as got ready for my Introduction to Bookbinding Workshop (tomorrow!).

1. Criminal That I Am: A Memoir by Jennifer Ridha
2. flesh and bone (2015 miniseries)
• Everyone needs a Pasha in their lives. Everyone.
3. If This is a Woman: Inside Ravensbruck: Hitler's Concentration Camp for Women by Sarah Helm
• My comment on this is going to be shorter than I would like it to be simply because of the nature of this book, but it was so incredibly difficult to keep up with all the characters, what with the way the chapters picked people up and dropped them and some would show up again and some you might never hear of for the duration of the book! I understand that to write the events in a chronological order would make it so that you would have to jump around here and there to talk about these people, then those, but still! The atrocities started to blend into one another towards the end, which really makes clear how easily one can grow numb to it, but it really struck me at the end the woman who went home (I believe to France) and got a jump in line for food handouts because she was too weak, and when someone told her off for it, she responded that she just came back from a concentration camp, to which the man retorted "mais quand même, they have to line up in concentration camps, don't they?". For which she hit the man. That brutal insensitivity, right in the face of the person who had to undergo that! Thank goodness she hit him.
4. The Book of the People: How to Read the Bible by A.N.Wilson
• Well with a title like that, I suppose I should have expected the tone that the author took throughout the entire book - not that I disagree with it per se, it's just that what I'm interested in is something a little different. I guess I was expecting more of a critical look than what the message I took away from it came out to be, namely something along the lines of: don't read the Bible literally (... duh?), stop trying to force your own views and interpretation of the Bible onto others (again, duh?), and God is the living word, through which one's life can be enhanced if only it is lived and acted upon (which is swell and all, don't get me wrong...). But this could have been a much better book. Perhaps I was simply reading the wrong book for my interests. What I did take away from this book that I think I might want to follow up on is that I should read the Bible. Although that's kind of a lie: How to Read Literature Like a Professor re-implanted the idea in my head (it's been there since high school at least, if for all the wrong reasons, something like "keep your friends close and your enemies closer", not that religion was ever my enemy, so to speak), so it's more like this book gave me more reason to actually read The Book.
5. The Storytelling Animal by Jonathan Gottschall
• A seemingly very large section on memory and how fallible memory is. I also just recently queued up a book about memory (and identity): The Memory Illusion. I haven't read it yet, but somehow things always make sense in terms of how I queue up what to read next, even if by the time I get around to it, I've - the irony! - forgotten why.
• "J. K. Rowling's Harry Potter books... are twice as long in their entirety as War and Peace" (p.276). Well golly. Now I have even less excuse to not have read War & Peace!
6. Quicksand by Steve Toltz
• I very much enjoyed reading A Fraction of a Whole by Toltz a while back, so when pondering over what fiction to read next, I figured I probably wouldn't go wrong with more Toltz. Rambling, vaguely articulate yet very disturbed characters seem to be Toltz's thing. Not that I'm complaining, since I very much enjoy these characters, but all the same. There's a sort of surreal, almost forced - forcedness - to them, in that they are so incredibly thrown, although they don't disintegrate into flatness because of that, which I think is a piece of work in and of itself. That being said, I enjoyed A Fraction of a Whole more than I did Quicksand, in that I was able to immerse myself much more into the world of the story. I'm sure I missed so many allusions and references to other literary works in both novels that there's much to be said about reading them both again, with a bit more focus, but in terms of the sort of relaxing read that is about all that I'm in the mood to read about right now (in terms of ease of reading, not in terms of being uninformative or uncritical), this ranks a little lower down the list than expected, based on my memory of the first novel.
7. Born to Be Blue (2015)
8. The Memory Illusion by Julia Shaw
• I'm probably remembering wrong, or not all of what I read, but I'm almost positive that I learned all this at some point or another throughout my psychology degree, to some degree. Which is not to say that a reminder course every now and again isn't good to keep me on my toes and continue to make me doubt my memories & their veracity, but anyway. A great crash course into the fallible nature of memories.
• Does this mean we fabricate our own identities more than we may like to admit? In that case, shouldn't we simply own up to it, and not say that we're "phony" (rather to die than to be phony, was it? Catcher in the Rye reference referenced in At The Existentialist Cafe), but instead make full use of our freedom to choose who to be?
9. At the Existentialist Cafe: Freedom, Being, and Apricot Cocktails by Sarah Bakewell
• Alternative title suggestion: 50 Reasons You Should Be In Love With Jean-Paul Sartre
• I read this book very much as a love story.
• Bakewell renders Sartre into literally the most adorable human being of all time, in the same way in which I view Plato's portrayal of Socrates as being adorable, except maybe more so. Just a teaser: when tasked to write a foreword for Genet's book, Sartre hands over a 700-page manuscript, though no word on whether he got that foreword done or not; and even though he didn't know much English, by the second time he went to America, someone (I forget who) was struck by his loquacity despite that little inconvenience - I'm paraphrasing Bakewell here, but, he couldn't say much, but he just wouldn't shut up! Also, Bakewell does wonders with the literary device of foreshadowing. Reading Sartre's foibles & (what appear in hindsight and at a remove, as I am reading now) horribly executed freedom - his practice of existentialism within his own life? - is akin to what I would imagine watching a trainwreck would be like, except combine that experience with that depicted in No Longer Human (by Osamu Dazai). On the topic of Camus' death, Sartre noted that he was probably the last good friend (despite their major falling out prior to his death after which communications were superficial and sparse). Merleau-Ponty, on the topic of Sartre, spoke something along the lines of "Il est bon", even if it doesn't come across in Sartre's writings, etc. He is essentially good, and in Bakewell's portrayal of him, it is heartrendingly sad in a way that rips you apart precisely because you know he is doing what he thinks is in the best interests of everyone, or he thinks he is right, and is only doing what is in accordance with what is right. For all his decisions that might be frowned upon, he was essentially good. That's what makes Bakewell's rendering of his story all the more tragic.
• Bakewell has an incredibly engaging style of writing and I would very much like to read her other works. It probably helps that, like her, I was besotted with Sartre & the idea of existentialism in high school, very likely around the same age as she was when she became enthralled with him. And I still remain so now (if it wasn't obvious by the above paragraph on how adorable Sartre is and how I basically have no trouble at all believing that for all his physical imperfections he had no troubles scoring lovers & admirers), if in a slightly different way.
10. The Epiplectic Bicycle by Edward Gorey
• ... what did I just read? Did I miss a joke, or some allegory, or perhaps a variety of literary references? Did some literary devices just pass me by? I'm so incredibly confused. What does epiplectic even mean? Why 14 yellow boots? Why an obelisk? WHO ARE THESE SIBLINGS?

Working on:

1. KL: A History of the Nazi Concentration Camps by Nikolaus Wachsmann
• Saw it on a list somewhere, I think (new additions to the library, perhaps? I do believe I'm the first person to get this book), towards the end of my reading about Ravensbruck. Apparently there's a memoir by a concentration camp prisoner called If This is a Man, which I didn't know about, and which makes the title for the book on Ravensbruck (If This is a Woman) make sense also, as a nod to that. But Helm also mentioned the phrase, 'if this is a woman' in some other context - poetry, I think? - and possibly also as one of those quotations that starts off a chapter; I'm not sure what those are called.
2. The Borgias and Their Enemies: 1431-1519 by Christopher Hibbert
• I'm halfway through this book or so and I have SO MANY THINGS TO SAY. But I'll satisfy myself with just one comment for now: if you're going to write a book about a historical subject such as this, which has been written about before, and recently to boot (e.g. Meyer), and you're not going to contribute anything new, in either sources or interpretation, and it's not even going to be as thorough - perhaps I'm being too harsh here, so let's tone that down to more thorough - than the previous books, what's the point? I did a research project for my personality disorders course on Cesare Borgia, so maybe it's only because I've read up on at least one person from the family (though all of the books touched upon pretty much all the members of the family) that I'm incredibly frustrated and tempted to just drop this book altogether. That being said, I want to believe there's some redeeming feature to it, so I'm going to finish it before ranting on.
• I lied; one more note: there are no footnotes/endnotes/in-text citations. Zilch! Nada! How are the readers supposed to know who said what when, and judge whether the sources are reliable in which circumstance? I mean, anyone looking to read about the Borgias has more than enough old sources if they want to read about juicy gossip and myth-making. Is this actually just a gossip column on people long gone? A republishing of all the malicious rumours? It seems as though Hibbert has just been repeating every slander that could possibly have been said against the Borgias and not looking into the truth of every one of them as far as can be investigated; he is very clearly biased in his approach is the feeling you immediately get upon reading. Anyway.
3. The Evolution of God by Edward Wright

Knitting Block (Still Weaving Though!)

Weaving a pie crust recipe

So I haven't actually knit anything for what seems to be a very long time. I've been working on the burgundy cardigan (top-down, raglan, v-neck, pockets) for a while and just passed the armholes, but I'm really just not feeling it, so it's going to be frogged. I just ripped out my red dress (third time is decidedly not the charm) that had been on the needles for a very long time indeed. I haven't been working on that black brioche dress either, for which I'm in the process of deciding whether to rip out and start over as a regular ribbed turtleneck tank dress or to simply continue onward as is.

Difficult colours to capture on a cloudy, cloudy day

At the very least, though, I've still been crafting away! In reality, this was something I was supposed to be working on all summer, but which in fact I've only started some couple of weeks ago and finished the first part of a couple of days ago (it's a series). So I'm counting that as a little victory.

Is it a scarf? Is it a table runner? The possibilities are endless!

I was supposed to have had this done months ago, and by this point to have had the entire series just about complete. Sadly, I didn't realize how tuckered out I was going to be after complete liberation from the educational system that is university, so I wasn't able to follow the proposed (admittedly probably a little herculean) schedule I had submitted for my grant. I got right on purchasing the right colours of yarn from colourmart more or less immediately after I got the grant, so that I could start weaving anytime, but then lost all momentum once I settled into my new job/position. It didn't help that the yellow I had ordered for the butter colour turned out to be more like a turmeric yellow (I ended up using it in my mokoshi).

I think I finally sat myself down and figured out ingredient weight ratios for some recipes (all pies, since those were what had started the series) on excel sometime around halfway through summer? And then my original plan was thwarted because Sandy, my floor loom, was too large to be set up in my room - or anywhere else in the house for that matter, apart from the basement, and there were a couple of logistics as to why not the basement. So I had all my materials, but couldn't do the twill that I had originally planned on doing, because twill! And thus completely fell out of it again.

One pick of the subtlest of all clasped wefts probably ever woven

In the end, I set up the table in my room again (since I had put it away for a good chunk of the summer months to free up some walking space) and set up Coraline, the AKL. I completely scrapped the twill idea after very briefly considering, then immediately discarding, the idea of doing a 3-shaft twill on the AKL. I figured I'd get pretty much the perfect sett if I simply used two 12.5dpi heddles to double the epi and didn't want to risk having a sparsely populated warp just so I could end up with a weft-faced twill. I'm very happy to say that I'm incredibly pleased with the way this wrap turned out! The yarn is incredibly soft, which helps a bunch, but the subtle hues and surprising amount of water content that goes into a pie crust, even if the majority of it evaporates, came out to be a pleasant surprise. I somehow expected much starker delineations between the ingredients (probably because I had originally intended them to be completely separate, one colour chunk after the other), but I quite like how randomly dispersing the ingredients turned out, both visually and as a parallel to the process of making the crust.

Well-proportioned scarf.

I'm thinking of putting the entire series into my etsy store once I complete it. For the time being though, work on that grant update in the hopes of being able to receive financial backing to complete it.

INTRO TO BOOKBINDING @ MCGREGOR PARK LIBRARY (SAT OCT 1, 2-4PM)

Waxed Linen Thread & Mini Bone Folder

I've been getting ready these past couple of weeks or so for my Introduction to Bookbinding workshop on Saturday October 1, from 2-4pm at the McGregor Park branch of Toronto Public Libraries! The event is 100% free, so all you need to bring with you is yourself and preferably enthusiasm for bookbinding in some form! The workshop is going to take place as a part of Culture Days. There are a bunch of other (free) activities happening everywhere, so take a look and see what interests you!

I drew up the instructions for a bunch of different bookbinding methods, with and without needle/thread, so I'll upload those to either here or my art happenings blog after the workshop. The first time I planned and ran a bookbinding/zine workshop, we ended up using Shannon Gerard's illustrations and handouts (with permission) from when she did a bookbinding workshop in our class, so participants this time get to have the first sneak peak at the booklet I've put together!

Paper, needles, thread, rulers, etc. + decorative cover paper + instruction booklets

The only thing I'm really worried about at this point is how many people are going to show up, since I realized somewhat belatedly that it would have made planning a lot easier had I made the event registration-required instead of drop-in. I have enough materials to be fully prepared for 15 participants, including pre-cut covers in rag paper. If any more participants show up, we'll just share the needles and see if we can cut some more paper on the spot. I'll be bringing my cutting mat and some scissors/x-acto knife for that purpose also.

Regardless! The McGregor Park library is almost like the sister branch to the library I currently work at, across systems: they're both small community centre libraries (though McGregor Park is definitely smaller) and they're both closed on Mondays! So it was definitely meant to be! I'm really excited about this, so if you're free that day, feel free to drop by and learn how to bind your own books!

Crossposted at lukprints.

It Looked A Lot Darker At The Store...

Louet Black Norwegian Wool & sweetgeorgia yarns merino (silver)

I've finished spinning up one bag of that Black Norwegian Wool, with a total of 201g between all 4 skeins. Some of the remaining 24g had gone to the samples I spun up prior to doing the entire batch, but a bunch of it was lost during skeining on the niddy noddy because it was underspun. It held together fine while on the wheel, but I think the combination of not-quite-enough-twist + this stuff was top, not carded fiber + relatively short staple = big fluffy mess of tufts of fiber coming apart as I wound the skein. In the end, I added some twist to 3 of these skeins, giving up on the idea of winding them as is after the first one was done.

Not-so-black Norwegian Wool

After a good soak, the water came out a yellowish tinge - lanolin, I'm assuming? - and the yarn didn't twist in on itself at all once hung up on hangers, even without any weights. Hopefully that's a good sign that it won't bias too much when I actually knit with the stuff. On the upside, they're very soft and feel light and lofty! They came out pretty much exactly the way I wanted them to (if you ignore the inconsistencies in thickness), in the skein. We'll have to see how they knit up. On the downside, I kind of didn't realize how brown - not dark dark dark almost-black brown, just a very dark brown - this fiber was. 'Kind of' because I knew it was a dark brown from the outset, but it still looked a lot more like black down in the basement of Romni's. So the turtleneck is probably going to come out as a dark brown, almost-but-not-quite-existentialist, sartorial statement.

Speaking of existentialism, there was a little anecdote in At The Existentialist Cafe about Sartre being commissioned to write a preface for someone's book or another, and a while later returning to his editor with a 700-pg draft, which subsequently became its own book - I didn't note whether or not Sartre ever delivered on the preface though. Man after my own heart.

sweetgeorgia yarns merino fiber (silver)

And now back to the spinning: the merino, spun on a drop spindle many many many moons ago (2014, according to my ravelry handspun project notes), held up much better. Only one section that came apart out of the entire cop. I'm probably going to just spin the rest of it on the wheel, aiming for a 2-ply laceweight yarn, I think.